0:59 Good morning. Good morning. Good morning. Good afternoon. Good evening. Wherever you're watching from. Shout to this packed house. Make some noise, please. I'm Ebro and together with my Apple Music Radio family, Nadeska Alexis, we're thrilled to welcome you all to the Apple Music Super Bowl 59 Halftime Show press conference. We are streaming live globally and on Apple Music. So, go check that out. We're excited to be joining the NFL and Roc Nation to bring the Apple Music Super Bowl Halftime Show to life with a monumental performance by none other than the great Kendrick Lamar. So, in a few moments, we'll be chatting with him, but first things first, let's get into the pregame. Nadeska, over to you. I'm honored to introduce the American Sign Language performers appearing at this year's Super Bowl. Performing Lift Every Voice and Sing, we have Otis Jones the Fourth. 2:00 Performing America the Beautiful and The Star-Spangled Banner is Stephanie Nogueras. Performing the ASL version of the Apple Music Super Bowl Halftime Show is Matt Maxey and ASL interpreter Dylan Gyle. Please welcome our official American Sign Language performers. Thank you all so much for joining us this morning. Thanks for having us. Now, to all of our viewers, I'm going to tell you that I'm sitting next to some very impressive humans right here and you're going to find out why in just a minute. So, we're going to start with Matt, who founded an organization called Definitely Dope. Um Matt, I've never founded anything in my life. So, already find that pretty intimidating. Can you tell us a little bit about your org? So, Definitely Dope was an organization I started to try to bring culture together. I grew up not knowing sign language and not really seeing role models that look like myself. So, when I 3:02 got to college, I started learning sign language and realized that sign language and music were the great way to learn the language and at the same time get more people involved in becoming advocates and more conscious of accessibility and inclusion. What's that experience been like for you? It's been incredible. I think everything kind of skyrocketed when we went on tour with Chance the Rapper becoming the first ever deaf interpreter to be picked by an artist to join them on tour. Then then it's just trying to advocate and showcase as much as possible the talent of the deaf culture and community and help people become more intrigued by sign language. So, now you see ASL is the third fastest growing language in the country and just watching it happen compared to no action, no sign language when I was growing up, it's beautiful to see the change. That's pretty incredible and touring with Chance the Rapper sounds like a lot of fun. Um it's very cool that Matt actually specializes in signing ASL for 4:02 hip hop. So, I'm really curious now how you feel going on to sign for the first Halftime Show to ever be headlined by a solo hip hop artist, which of course is Kendrick Lamar. I think it's incredible. I mean, when I first started learning sign language and started going viral on YouTube, the first song I did was Please Don't Kill My Vibe. And that was a while back and it was just, "Hey, that's my vibe. Let's go." But uh ever since then, it's just become a full circle moment. I just kept going. Many times I wanted to quit, give up, but I people didn't understand the beauty and importance of sign language and entertainment. So, now to be here at the Super Bowl with two other talented performers and the people that helped make it happen, it's incredible to see the change and progress and still be alive to see it happening. I'm so glad that you didn't give in and give up in those difficult moments. It's so nice to have you here. Um and now Otis. So, Otis, you have a massive following on TikTok and you don't use the platform 5:02 just for entertainment. You actually teach classes on there. Can you tell us a little bit about those classes? Absolutely. So, I do teach on my platform. And the reason why I teach is because I grew up in Georgia, uh not really in the heart of a deaf community. And so, I faced a lot of oppression as a deaf individual, as a black individual, uh without even realizing it. And so, now when I look at myself, I'm thinking about other kids, other young black deaf kids who are out there. And so, I'm using my platform to try to make some change in the world, to try to make things better. I want to educate people about language deprivation, which is something that I myself have had to go on through. And so, I want to educate people about the importance of American Sign Language and making sure that they have that in their lives. You see what I mean? I told you all these were some very impressive humans. And Otis, you've performed at multiple festivals like Bonnaroo and Rolling Loud and I'm curious, where does performing at the 6:04 Super Bowl Halftime Show rank in terms of cool musical experiences for you? Okay. No lie, I can't compare this to Bonnaroo and Rolling Loud. Uh I mean, the Super Bowl is at the top. It has to be at the top, but uh it's not just because it's the Super Bowl, but I think more importantly, being here, being in New Orleans specifically, this is where my family is from. My parents and grandparents come from New Orleans. So, this is a home for me as well. So, to be per- performing at the Super Bowl in New Orleans is a huge honor, especially to be signing for Lift Every Voice and Ledisi because she's also from New Orleans and my mom grew up listening to Ledisi. So again, it's really a huge honor and I can't wait to be signing Lift Every Voice on Sunday. I didn't know your family was also from here. That's really beautiful. Did you tell all your TikTok fans to tune in? I Of course, I will. I will tell them. Yeah, yeah. They're going to be tuning in for sure. Thank you for the reminder. 7:06 Of course. Now, Stephanie. Stephanie is an activist, um a model, and um an actress, a casual triple threat. You've been on numerous TV shows. So, you're not new to being in front of the camera, but I'm wondering if you could tell us what's the difference for you being on a TV production set versus doing a live show like the Super Bowl Halftime Show? I mean, they're completely different because on a TV show, really I feel like a very spoiled actress because if I mess up, I can just do another take. As soon as the director calls cut, I get another opportunity to do it. And so, you can do it as many times as you want to make sure you get that perfect take. But for a live event like the Super Bowl, I mean, you get one shot. That's it. So, that's huge for us performers. Uh but it's really thrilling. It's exciting for us and it's exciting for our community. You we're just going to go out there and do our best. Yeah, you are. You seem to me like a one take kind of girl. You got this. Now, Stephanie is also a founder. So, 8:07 she does have a company called Pepita Productions. Can you tell us a little bit about your company? Yeah, absolutely. So, just for some context, pepita is a small pumpkin seed. They're hard to crack. They're hard to break. And I think that's a good metaphor for our community. Of course, our community is small, but we have been through a lot. I mean, if you've just listened to us, we've had to work pretty hard and break down some barriers to get where we are. The world is not designed for us and so, we've had to work hard to break through and make it. Uh my family is from Puerto Rico, so I identify as Latina. And I didn't really grow up seeing a lot of deaf Latina role models on the screen. And so, growing up, I kind of decided, well, I had to create a future that I didn't know existed. And I think that's why I started Pepita Productions to empower others and give deaf Latina children a role model and Latina, Latino, and Latinx. And I think it's also important for parents that have deaf and hard of 9:07 hearing children. It doesn't matter if they choose spoken English or American Sign Language, they are in the deaf community. All are welcome in our culture. And it's just important that they connect to their kids. So, I wanted to give parents a safe space to be able to find their way into the community and the industry. And I also wanted to serve as a role model. I think it's really important to see more diversity in the entertainment industry. And uh I've been in the industry now, I can say that it's lonely. Sometimes it's isolating and the work is very difficult. And so, I can't even imagine what it was like for those who came before me, but I'm trying to set up a better future for those who come after me. So, that way we can make it an easier entry point for them. I think it's so impressive how much you've all given back to your communities. And so, Stephanie, I'm sure all of the actors that you work with are going to be Well, how do you think they're going to feel watching you perform these iconic songs at halftime? I hope that they will feel like, "Oh, I'm not alone. There you are. You've 10:09 opened a door for me already. Now I just have to walk through it." And of course, please, anybody out there, get in touch with me. I'm happy to help you on this journey. And I want them to feel that they can do anything. Whatever they want to be, they can do it. I think all of my life I heard, "You can't. Oh, I'm sorry. I don't think there's really a future for you." And look at me now. Look at where I am. And so, I just want the message to be that anything is possible. You know, sometimes we live in a world that's not so nice to us. And I we have to become a little bit more hardened and be able to claim space. And to this day, people still can't believe that I'm a mother. They're like, "You're pregnant?" I'm like, "Yes, it's my second child." They're like, "It's your second child, but you're deaf." Like, still, to this day. It's 2025. Yeah, it's really ridiculous, so. Listen, I'm glad that you've continued to push forward and all three of you have built something so beautiful. I'm going to be tuned in on Sunday and rooting for all three of you. Matt, Stephanie, Otis, and 11:11 Dylan, thank you so much for your time. Thank you. This right here is young Dylan from Nickelodeon. What's going on, bro? How are you, man? All right. And he's a big music fan. And he'll have a couple of questions for all of our music artists here today. Kendrick Lamar, you get to talk to. You excited? Yes, sir. You already know. You ready? Yes, sir. Okay. Now, we have the honor of continuing our pregame lineup with some very special guests. Please help us welcome the pregame artists singing and performing on Sunday, Letisi, Trombone Shorty, Lauren Daigle, and Jon Batiste. 12:57 Good morning. Good morning. Good morning. Good morning. Good morning. So now, the four of you have at least three things in common, I'd say. One, you're all great musicians. Two, of course, you're all performing at the halftime show. And three, you're all from Louisiana. Like, does that already breed some sort of camaraderie, a bit of comfort, knowing that you're all from this beautiful state? Absolutely. It's all family, community effort, and that's what we do here in New Orleans, and it's a great thing to represent the city. That's beautiful. So now, the sweet spot, obviously, when you get out there Sunday, is you want to respect the original, but you want to add your own flair. Right? So, Letisi, we'll start with you. What are What are some of the plans, some of the insights you can give us, cuz I know you have some vocal acrobatics that you love love love to give us? I'm just going to be myself, and I love the arrangement that Adam Blackstone put together for me. Wonderful. He just won a Grammy, too. It's crazy. But I'm excited. I'mma represent Nola Bay. You know, New 13:58 Orleans and Oakland, too. Trombone Shorty, what about your rendition? What are you all playing? I think me and Lauren, we put together a very New Orleans brass band street feel to it, and it merges some rhythms of Lafayette, where she's from, and we're just capturing that moment. So, I think it's going to be something that you can tap your feet to, but still respectable to the original. You'll be able to definitely understand what we're doing, and I'm looking forward to that. What about you, Lauren? When I got the call, I was freaking out, okay? I was so excited. But the the part that got me on my feet was when he sent the rough draft, if you will, of what we were going to be doing. And you know, when you plan it out, you think, "Oh, okay, maybe it'll be a ballad or whatever," just because of how the song is originally No. He said, "No, no, no, we're going to put a little spin on this." And it feels so good. It feels so alive. It's It's very true um to the represent representation that we are allowed to have in this city. It's beautiful. Um I love the musicianship that comes 14:59 out of this city, and to be able to represent that means the world. So, I got to as hats off to you, because you came up with an incredible arrangement. Yeah. And Jon, I know, listen, this guy's hard to contain. So, what you what you doing on Sunday, man? Well, you know, I think that music can really communicate deep, profound truth. And I believe that this country and our songs and our iconography, our messaging, our ideals, all the complexity of all of it has a real important place as we negotiate and continue to redefine it. And I think when you listen to music, it's a it's an amazing capturing of that, because it's constantly evolving 16:00 while it also is remaining the same. So, that's why I love creating music, because you can take from the past, bring it into the present, and forecast the future. And that's what I do every single time, I try, at least. Wow, that's very well well said, and you guys could clap for that. You know what I mean? You guys could clap for these people. Don't be afraid. You know, it's like speaking of history and looking to the future, um so Letisi's going to be performing "Lift Every Voice and Sing." And just a little history fun fact, you seem like a lady who would enjoy some some history. Um this song was performed publicly for the first time all the way back in 1900. So now, we're looking at 125 years later, you're performing this song not only in your hometown of New Orleans, but also simultaneously on a global stage. Like, what does it mean to you to be able to perform this anthem on the stage? 125 years 17:01 of legacy, American history, culture. Every person here, this song I'm overwhelmed. I'm honored. I feel like I'm in alignment with greatness. To stand in this moment and sing that song, so yeah, that's all I can say about it. I'm honored. That's beautiful. to start crying. I know. I see it. I see it. Sorry. It's It's a listen, the Black National Anthem is, you know, it's it's a powerful song. And and we're honored to have you, cuz I I know you personally, and I know what you're capable of, and I know what you're going to channel up there, and we're all going to feel it. So, thank you very much. Can I ask how you question for anyone, how you contain yourself, because some of these songs are so emotional, and when you're there performing and you're in the moment, your heart's really in it? Do you ever get to that point where you feel a little choked up, and you have to somehow dial it back and stay focused? Well, I I think I'm choked up the whole time, 18:04 even the phone call. You know what I mean? It starts there. Can you come and sing? But I'm used to this in my career, just like Mahalia and Marian Anderson, uh standing in moments, being representing the past and the future and the current state uh the world. I'm used to that pressure. So, I just remember who I'm doing it for. I remember my ancestors. I I remember everyone waiting for this moment to be feel hopeful and to feel represented. So, yeah, I I do get choked up. Oh, I'm choked up the whole time. But I have a job to do. That's what I think about. Now, Jon, uh you performed one of the most popular renditions of the Star-Spangled Banner um in the la- in the last 5 years. So, what's your inspiration this time? I'm thinking about my grandfather who just passed. My brother, Troy, we played at his 19:05 funeral. Try not to get choked up here. But uh he was you know, anything great about me, he was one of the blueprints of that. And he was 17 years old and was the first wave to integrate the Navy. Served his country. And I think about a lot of people in my life who have represented what I believe this song is about and should be about at its highest aspirational level. So, when I channel that, it makes it feel like it's me, but it's way bigger than me. So, I'm just a vessel for that energy in the world to continue. And if that can happen, I might get choked up. I might or but but it's bigger than than anything cuz the energy transcends even if you know, you get a little bit of a uh 20:07 a uh uh a mist, you know. But but I think when we're in the moment, when you're channeling, it's almost beyond emotion. It's a spiritual channel that happens and you get you're not present. You're watching. So, that's really the goal always for me. That's a great goal. That's incredible. And you know, Lauren and Trombone Shorty, you touched on it a bit earlier, but you both come from pretty different musical backgrounds. Um and in true New Orleans style, you are going to blend those genres for a beautiful rendition. And so, we'd love to hear just a little bit more about what it was like sitting down together and blending those styles. That was a lot of fun. We actually, before we did it, we talked for like 2 hours just about New Orleans and different things. And And then we got in there and we recorded it. I mean, just the uh the uh idea of it. But blending our 21:08 styles together, the common ground there is Louisiana and there's rhythms that we both share from Lafayette and New Orleans that that fits well with what we do from the brass band style of music to the zydeco music, Cajun music that that she grew up listening to. And we just try to put that together almost like in a pot of gumbo. We just put everything in there and it all works out and sounds okay to me. You know, when I was a little girl, my grandfather would he would put me on his feet and say, "You got to know how to dance. To live in Louisiana, you got to know how to dance." And when I hear the rendition that we're going to sing, it just it really does remind me of those moments of dancing in the kitchen and growing up I I grew up on Cajun zydeco music, but I would come to New Orleans to fill my soul with the brass bands. I mean, I remember sitting on street corners and just my jaw being dropped to the floor. And you know, there's so many incredible musicians in this city that are profound. Like they could go into 22:08 any studio in any part of the country, the most incredible studios and the mom-and-pop studios, you know, and and blow people out of the water. And to be able to be a part of that synergy in that current that's flowing through here. I think the common thread that we kind of touched on earlier is family. Like really, when you Troy, we did a a music video um gosh, was that like 2 years ago or something when you came over? And at the end, he wrapped his arm around my shoulder and he said, "You have a brother in me now. You have a brother in me." And that meant so much. And to be able to represent that thing, that um connection, I guess. You know, it's it's more than just us. It's how the whole city functions, whether it's music or food or culture, you know, it's how the whole city We look after each other. And I think that's the most beautiful part to be able to represent. You'll hear it in the sound. 23:08 Question for all of you guys. Uh you know, when you prepare for performance, not only you're tapping into your spirit, you're tapping into your community, you're tapping into culture, but it helps you gain a a gain a greater perspective and a connection not only to yourself, but did you guys gain a greater connection to these songs in any way? We'll start with you, Jon. I'm I'm always trying to get a greater understanding of what is it that a song actually is. What is a song? And And what are we doing with this these energies that we create when we sing a lyric or melody? And what's inside of a melody? When you hear a melody, why does it make you feel this way? Why has it lasted for so long? How can we think of melodies as building blocks for other other melodies or other rhythms or other inspiration, you know? 24:11 So, when I'm thinking about one song, I'm thinking about all of them. And that's been my practice with music is is how do you make everything holistic like life. We're living. We're We're We're here. And um in approaching this song, I'm thinking more about my life and how my life can be something that honors the country and also honors the lives of everybody who's watching in the different ways, the universality of our shared humanity. So, I don't think about music when I'm approaching music. I would reframe the thought of that. I think about life. And yeah. And what And Letissier, for you, any greater, deeper understanding as you prepared for this performance or any performance for that matter? I'm always thinking like Jon, life as well. But also the 25:14 moment. I think of what is the moment? What is the goal of the moment? Cuz I'm usually called upon for a moment, you know? And so, I have to think uh of all those things, ancestral, spiritual, the people, how to please the people. And then I let all that go and think it's bigger than you. God, help me execute what it the story. And then that's it for me. Yeah. I'm just being honest. That's what I do. Beautiful. Um in these major moments and milestones you guys have accomplished in your career, where does this one rank, Lauren? We'll start with you. Oh my gosh. Yeah, this would be the milestone, I It's pretty incredible. You know, it's incredible to be able to share it, too. Like, you know, sometimes you do things on your own and it's great, but to be able to share it, it that goes so much deeper and so much further. And just sitting in on this sofa with this assortment of people is just 26:16 unbelievable. Like, you can To be in your hometown and and to be able to sing a song that you love and you grew I mean, I remember being in grade school, we would do the uh the like honor to the servicemen every single uh Veteran's Day. And we would sing this song and I remember it meaning so much to me then. I had no idea that 20 years later, 25 years later, let's be honest. I'd be singing it, you know, with friends. And that that means so much to me. Really does. You know, there's so much preparation um and clearly a lot of philosophical life thought that goes into preparing these performances. And Letissier, as you say, then it leads up to this one climactic moment. Um so, when you get out there in the minutes and the seconds before it's time to perform, what's going on in your mind? Is that when you clear everything out? Like, how do you actually get ready to get on the microphone? 27:17 Ooh, that's a lot of things. I just keep thinking of this little girl from Hollygrove riding her bike, singing with her family, singing moving to Oakland, then going around the world on bigger stages, and then coming back here, full circle, back home. Sorry. Back home, wanting to show that I am from here, too. And to be given that moment, I'm thinking of all of that. And then I'm going to take a breath and I'm going to sing the mess out of this song. So, that's what I'm thinking about. That's why it's emotional. I My grandparents, my my family, my cousins, my new family that Troy knows. I call you every time. It's just I think of family and community. And then I'm thinking, tell the story. That's it. You know, someone once told me they said 28:19 I was actually doing an Apple Music interview, Kelly. She said, "The space between what comes off of your lips and the way it lands on someone's ear, that's God's space." Wow. And when you feel that, when you know, this is going to come off of my lips and I'm just going to hope and pray that whatever is translated in that thin veil of time lands on people's ears that actually elicit some sort of transformation. I think that's, you know, when you talk about it, I'm like, that's where she That's the airspace you're working in, girl. Yeah, that's it. That's it. Yeah. You guys ready? You guys ready for Sunday? Make some noise. Thank y'all. Now, we actually do have some questions for you all as well from our kid reporters. Are you ready? All right, let's get to our first question. So, our first question is from Hayes Adler. Hi, Hayes. 29:21 My name is Hayes Adler. Um what advice do you do you have for kids trying to reach their goals? Uh I think the advice I would say is to make sure whatever it is you're doing that is passionate, that is pure passion behind it. And that should be your passport to see whatever you want to see, you know? Don't go for fame or money. Just really love what you do. Prac- practice very hard and just let the passion drive you. Uh next, thank you Hayes. Thank you so much. Uh next we have Alvin Williams with a question. Hey Alvin, how you doing? Hey, I'm Alvin Williams. I'm a little with Big Brothers and Big Sisters New Orleans. What is one piece of evidence a mentor has shared with you that would that has stuck with you and you now share with those who you mentor? You belong. You're worthy. Just study and do your work. Yeah. Thank you. Thank you Alvin. And we have one more question from Young Dylan. Hello, my 30:22 name is Young Dylan with Nickelodeon. It's very nice to meet you guys. And um Nickelodeon wants to know if you could slime your biggest inspiration, who would it be and why? And this is for all of you. Well, my biggest inspiration is right here. And I was I'm going to slime him. Bring out the slime. Let's go. We got the slime. I mean, we grew up doing all type of crazy things like that to each other. So, it'll be a big payback to her. Yeah, I'll slime Troy right back, huh? Listen. Ooh, we got some stories. Yeah, in love and slime. Oh me? I don't know. I've never heard a question like that. I The people I would want to slime, they'd really not be happy about being slimed. Let us see I have to pass on this one. I would say my crew. I took my crew to the Atchafalaya Basin. That no 31:22 People in this room might not know where that is, but it's around the corner and I made them jump around jump in the water with alligators. So, I feel like it would be on the same level as being slimed. So, I'll do it part two with my crew. Thanks. Thanks for those questions, fellas. Those were great questions, guys. Thank you. Let us see Trombone Shorty, Lauren Daigle, Jon Batiste. Thank you so much for spending your time with us, for sharing your heart with us. Looking forward to seeing you perform on Sunday. Go out there and have fun. Thank you. Thank you for having us. Thank you so much. Hey. Oh, sorry. Thank you for having us. Love. Love. Love. Take care. I love you so much. All right. See you in a bit. Thank you all so much. This is awesome. Thank you so much. Thank you. This is great. Thank you. I'm new here. Thank you, John. Appreciate you. The show rolls on. We can talk about his world-shifting pen, 32:23 his Pulitzer Prize-winning album, his 22 Grammys, or his seismic impact on music spanning more than a decade. But nobody can speak for the man better than himself. Please welcome Kendrick Lamar. Y'all got to make some more noise than that. 32:57 Good morning. How you doing? You know, Kendrick, it's a little bit surreal to actually see you in the flesh because you've always made it a point of just letting the music speak for yourself, which is something I really respect. But the spotlight has been shining so brightly on you for the past few months. I've just been wondering how you've been processing behind the scenes, how you've been feeling about everything happening, all the success. Uh it's it's it's just really just a uh I want to look at it like it's just a continuum of who I am, really. I I've always stayed to myself. I've always been in my own bubble, whether it's with the fam or whether it's training. How I process it all is just I continue to do what I was doing 10 years ago. And that's like it bettering myself, bettering the craft, and not look at it as bright lights, you know? And it may sound cliché, but it always worked for me, even when I was younger, 33:58 you know, playing sports or being in the front for forefront of presentations and stuff like that. It was like I got to look at myself in the mirror rather than looking at it as a crowd or, you know, fame and attention. So, now early days of your career, you know, Section 80 days, even early mixtapes, and you perfecting your craft as an MC, did you ever think we'd be at the Super Bowl with this? I wasn't thinking about no Super Bowl. You never thought about the Super Bowl with this? about no Super Bowl for sure. We was thinking about the the the best verse and how we going to split this $5 at at Church's Chicken or something like that. It wasn't no Super Bowl. Going to the studio and getting a meal. But I think well, what I know is the passion I have now is still the passion I had then. And I think that carried on to the Super Bowl. So, it was all about being present. As long as I was present in the studio and present in whatever that line was or whatever that mistake was, 35:00 uh rapping or doing hooks or choruses or whatnot, I was present in that moment. I felt that passion. I think being present and not actually foreseeing everything kept me in the groundest state of mind in order to be at, you know, big stages like this. I think we felt that presence and that focus in your work for the past 15 years. Like Yebba said, going all the way back to projects like Overly Dedicated. And so, seeing you perform with Dr. Dre at the halftime show 3 years ago, we already felt like that was the most hip-hop beautiful halftime show ever. And now for you to come back and be the first solo hip-hop artist to headline, how does it feel being the artist to hit that milestone? And, you know, just your thoughts on what that means about hip-hop's progression and impact over the years. Well, that it made me think about like the grind of it. You know what I mean? A lot of people don't see like the story before the glory, man. And that is like shuffling out your mixtapes and, you know, going to neighborhoods 36:02 and parties and performing there, hole-in-the-wall spots. It lets me it reminds me of the essence and the the the core response of rapping hip-hop and how far it can go. So, for me, that mean everything because it puts the culture on the forefront where it needs to be and not minimized to just uh a catchy song or verse. This is a true art form. So, to represent it on this type of stage, it's like everything that I've worked for and everything that I believe in as far as the culture. Like, I live and die by it. This This don't change my whole family life. So, I don't take it for granted at all as far as the art form, you know? It feels like this what that was a lot what this year was about, too, right? Like you you I guess, you know, you took it and put it on your back and you felt like a line needed to be drawn. Right? Um was that, you know, was that your intent when you rolled out this year? Was like, yo, I'm drawing a line. Like, this is what it is. My 37:04 intent was to always keep I think from day one was to always keep the nature of it as as a sport. You know, I don't care how look at it as far as like uh uh uh as a collaborative effort, you know, that's cool, too. But I I love when when artists grit their teeth. Like, I still watch battle raps. I still watch Smack URL from Mook to Lux to Tay Roc, you know, my bro Daylight. This this has always been the core definition of who I am and and it's been that way since day one. So, I don't think it was a a thing for this year. It was always just a continuum. And what I will say about this year, it was more uh from a space where I think a lot of people was putting rap to the back and you didn't see that. You didn't see that grit. You didn't see that bite anymore. So, I always took that into consideration in going into any type of my music. That's interesting. So, I hope this makes sense, right? 38:06 You know, we've been following your journey for about 15 years and you have been so consistent in the messaging, in the focus, like you said. Um and you've always moved with integrity. So, in a lot of ways, I feel like we thought we knew exactly who you were as an artist in a positive way. And then last year it felt like you unlocked a whole new dimension for us. But that person, like you said, was always in there. But I'm wondering, do you still surprise yourself sometimes? Did you surprise yourself last year? Or was it just just us the fans with our jaws on the floor, just stunned? That's a good question. Uh surprise myself? Uh nah, I don't think I surprised myself cuz this this for me and for my partners that's been around me since 2005, 2006, like my brothers, they they know my personality. They know know my capabilities. Even when it, you know, wasn't presented to the public at first, right? So, this is just like a um 39:06 a revolving door of what I've been doing in Carson studios, at the homie garage, or uh my brothers at TDE, or just anybody around the city of Compton and in in in LA. Uh it's just magnified to the level where I've progressed it and and, you know, did enough hours to know, okay, I know where to place it now. I know how to make it connect with people. It feels like each album, too, getting to this point was like it was an album for the culture and it was album for the critics. You know what I mean? And then it would for the critics and and and then GNX comes along and it's like nah nah nah. This is album for anybody, everybody and anybody who want it at any time. And you brought that energy and if and and the energy you brought on GNX was an energy that I don't think was really happening in hip-hop. Like it's a Public Enemy level energy. It's a Ice Cube America's Most Wanted energy. Like 40:07 it's a classic, you know, timeless energy. Um talk about your head space between Mr. Morale and this GNX. Yeah. No, that's that's that's great. Uh go back even further, man. Speaking on that energy like this my my my my cousins was like DJ Quik, you know, and and Dre, you know, these these folks that my people was playing. So I always had that DNA. And you know, you heard that DNA a little bit on Good Kid, M.A.A.D City, but I wanted to tell my story first, right? And um fast forward to GNX, I felt it was just a perfect time because not only the energy was lost, but it was the energy that was bubbling inside of me as well. I wanted to go back to the forefront of just the bite and just the the grit of rap. Just all raps and and the hard ass beats. And that's like the basics for me. I thought about damn, what I used to like when I was a kid. Hard raps, good beats that's smacking, right? And um it was a great transition from Mr. Morale because that was my most 41:08 intimate. I wanted to go inside of my own psyche and my own uh uh personal withdrawals and and and see how it connects with the public and who can relate. So doing this time around, I think it was necessary to coming out of that cocoon and feeling like, okay, I arrived now. I can I can spread my wings and show every state of who I am as far as Kendrick Lamar. And you really did spread your wings. I mean, you just came off a huge Grammy wins. You walked away with five awards and you were not like us winning for um song and record of the year. Um which in itself is remarkable, but I think for people who love and respect hip-hop and the roots of this culture, the competitive spirit of it, it has been a little bit mind-bending that you created this massive cultural award-winning anthem out of a battle rap song. And how is that something after you got off that Grammy stage, you got home in some quiet time? What was going through your head? I just think about the culture, really. I I 42:10 it's it's always that for me first. I'm not even bullshitting with you. It's like when people talk about rap, man, the conversations I hear, they think it's it's just rap and it's not an actual art form. So when you put records like that at the forefront, it reminds people that this in 50 years ago. They forget that it's even been here 50 years, right? And like kind of like belittle it. So I love to see that it gets that type of recognition for just straight raps from awards to uh the billboards, all that because this is this is truly just as big as a art form and and a genre as any other genre. So that's what I think about and I feel accomplished being able to do that, you know, whether somebody else come behind me and do it again and quadruple it, I'd love to see it. If that was my purpose to do that, then that's exactly what it was for that particular moment. I think people often miss the significance of that record and song of the year award cuz that song of the year award is a songwriter's 43:12 award. Like it's not just the biggest song. It's like someone wrote a song. And you as a songwriter, when you see your name up there and it's written by Kendrick. Yeah. And that's it. Yeah. That's powerful and I think to what you're saying, I think there's a lot of people who have become fans of hip-hop and they they, you know, you like the songs you hear and know, but you're not actually tapped into the work that it takes for you to generate Yeah. the output. Exactly, man. As a as a writer, you know, and and that's what I can appreciate the most and knowing how much time I dedicated over the years in just trial and error, writing the most terrible to the some of the greatest You know, we all do it from writer's block to figuring out how to find inspiration from the most uh non-popular aspects around me. So it's like knowing that trial and knowing what I put in as far as my thinking process and and what it takes to get there, 44:12 I do not uh look at as a a small like endeavor because it's a hit record. No, it's actually some writing in that you know, whether it connect with you on a on a spiritual level, whether it connect with you on a comedic level, whether it connect with you just on a a personal dynamic, it's still from a writer's point of view. Yeah, you are an incredible writer. There are songs on GNX like Reincarnated, I didn't know what to do with that song for the first few times I heard of it. Just trying to figure out where you possibly came up with the inspiration for a record like that. Like when you're working on on those songs, are you going through multiple versions until the right thing comes to you? It's just it's hard to fathom, I guess what I'm saying. Yeah, well, records records like that uh first off, shout out to Tupac. That's that's number one. That was always one of my favorite records from him and Outlawz. Um well, records like that, 45:13 it's always going into my mind of like what if, right? And crafting out my what if ideas to the masses. So when I think about concepts and I think about what I actually believe and what I feel, I just go through a breakdown as if I'm I'm reading a book, you know, and how I want people to hear this from a book sequence. So my initial process is, okay, how can I open them up to the story and how can I drive them to the ending point to make them feel truly exactly what I'm trying to convey, whether they take their own perspective from it or they take mines. I just want you to feel it first, you know, the the writing is there and now it's up to me to perform it to where you can feel it. Yo, give it up for this guy, Kendrick Lamar. Y'all too quiet, man. This guy, you know, this guy doesn't really he doesn't sit down and do this too often. So this is a very special conversation and we appreciate you, bro. I really do. And and shout to SZA, too, cuz you guys are making history right now. Hell yeah. you've seen her from her humble beginnings like she's seen you from your 46:14 humble beginnings. Um you've watched her find success and now y'all sharing a stage at the Super Bowl. Go to the humongous tour that's rolling out next year. Um sh talk about this moment in both of y'all's career. Have you guys had a chance to even see each other in this moment and and be like, yo, like We haven't even had a chance to crash out about it cuz everything been moving fast like for us, production and rehearsals and stuff. So we speak, but it's not we haven't really got a chance to settle into the moment. Um for me personally, watching her at, you know, her career and where she's come from, it's amazing to see. I get to finally see how certain individuals see me come up in the process cuz I seen her day one coming in studio and writing songs, throwing away songs, writing another song, throwing away songs. And songs is hard. And I understood that process though, wanting to be great, you know, even more we, you know, people saying this is classic record, she like, no. No, I'mma write another one. And I 47:15 understood that and I seen it. So to see it now magnified is like she always had it, man. She always had it and I'm just honored to be next to a talent. Yeah, you've both worked really hard to be here in this moment. And on Heart Part 6, it's really amazing to hear you detail that journey for old and new fans, you know, going coming up through the ranks at TDE and now launching your own agency, pgLang. So performing at the Super Bowl halftime show is very much, you know, as us fans getting to celebrate you in this beautiful musical legacy, but also now you're stepping out as an entrepreneur. What has it been like to build your own business and to also showcase some of that creativity from your agency on this platform? Oh man, I love the process. Uh shout out to pgLang. Make some noise for pgLang. Yeah, that's that's that's that's my that's my team, man. It's it's 30 incredible individuals, uh five extraordinary executives 48:17 that work day in, day out to make sure we are doing something that will long live the culture, you know, from a music standpoint, from a creative standpoint, fashion, film, books, day in, day out of just being around like-minded individuals that have different perspectives outside of just music. So through that process, it was a challenge for me, but even more a process of me enjoying, okay, different ideas and and and different backgrounds and how to look at things. Um I love it. I love it. Uh being on calls and then you know, formulating business ideas and and ventures outside of my usual norm, it challenges me. And I can't wait to see what happens next. I know what's going to happen next. Yeah. We can we can I think for the audience, too, you know, and anybody watching around the world, the pgLang thing is is you know, I think people see you as an artist and someone who makes music, but 49:18 I don't know if you want to share it today, but the level of detail that you yourself, along with Dave and and shout to the whole pgLang team, but y'all as friends that came up together, you in the edits. Like what we're going to see on Sunday is a pgLang production. Yes. That's all pgLang. That is us sitting day in, day out from the edits, the production, uh the the stage design, the the the music, the sound tech. It's everything across the board and it takes a lot of work. Takes a lot of creative individuals. I can't sit here and say it's all me because these are people that are just as passionate and want to see us win, but also want to put out something that lives a long long time. And uh what with Dave's creative mind, it's just he's insane, man. That That dude is like Basquiat in so many different fashions. You know, you can literally pick his 50:19 brain about anything and he'll give you an answer right down the middle and to help you decide for yourself. So, that's something I can always appreciate. Yeah, I'd say with all of your powers combined, y'all are really diabolical. Like when you roll out the videos, all the visuals for GNX, just the way you all move strategically together, it is inspiring beyond the music. You know, just thinking about how to approach life and art in a holistic way. And so, when it came down to planning for the Super Bowl now, you know, you've teased on the album coming up to New Orleans with this LA energy, how did you guys approach the show and trying to figure out how to pay tribute to the classic senior catalog with this new music and like a 13-minute setlist? Yeah, it's it's wild. We got Mr. Morale's like a hour and 30-minute tour. So, it's like you got to smack the down all the way to 13 minutes. It's it's it's kind of wild and it's interesting because it lets you know kind of where you at and your perspective on how you think about catalog and the music. Uh for me, 51:22 I I love being present. I love being present, man. I It's my favorite I It's very hard for me to to live in the past. It's very hard. I respect the past wholeheartedly, but being in the now and being just locked in to how I feel and the energy I have now, that's that's the LA energy for me. That's something that I want to carry over to New Orleans and and and for the world to see. This is me. It's Kendrick Lamar, 37 years old and I still feel like I'm I'm I'm elevating. I'm still on the journey, though, you know? And uh I want I want that energy to, you know, ooze out into the television and to the people that's in that building. Well, and and on that, you know, the connection uh between black culture in New Orleans and how how important and and shaping our ancestors were in this town, music, jazz, all that. You always put our culture and black culture at the forefront of your brand, your music. 52:23 Same thing in LA. A lot of our family members moved out to California from the South for new opportunities. Yeah. So, there's a big connection between LA and the South. So, when you say you walked in to New Orleans with that LA etiquette and all of that, I don't know if people really grasp that, but that's you got to be feeling that energy like when you when you are out ready on Sunday to do your thing. That's a bar. It's crazy, bro. Every Out of all my friend LA, us growing up, all our grandparents either from Louisiana, Texas, Chicago. Like period. So, our dialect and the how we talk, it it it it gauges from like the South and like the Bay Area. So, like going to the store, we say finna. I'm finna go to the store. Like that's some South you know what I'm saying? That's That's not no LA, right? So, uh that energy right there and you, you know, making that correlation, it means a lot to me for people to understand that. And um 53:24 the culture and just being black, I I can't I can't help that, man. It's it's not something that I think about or even try to like go I'm I'm black. It's It's just going It's going to On you. It's not on you. Yeah, it's going to come out every time. I'm not going to I can't sugarcoat it. You know, I can't downplay it. I'm at a point in my life I can't I can't necessarily fake the funk for nothing. And I've I've always had an essence of that, but you know, you have kids and That shit's like I have to be who I am authentically. And if, you know, the world can't accept that, then then so be it. But who's rocking with it, I'm going to put it all the way out there, you know, whether it's in private or whether it's on the main stage. Yeah, I don't think a lot of people and a lot of artists stand in themselves as authentically as you have. And I think one of the questions we've all been wrestling with over the past few months watching you and the way you've moved is really what is the role of an artist? And I think lots of people have very different definitions, but 54:25 young Kendrick, again, back to overly dedicated and Section 80 mixtape Kendrick and GNX Kendrick, Super Bowl Grammys Kendrick, has your idea of what the role of an artist is, you as an artist, has that ever changed? Um I don't think I knew exactly what my role was early early on. I had maybe clues of it, but now today I can truly say it's it's the to express myself and express things that people can necessarily say on the daily and for them to actually relate to. And um come from the most vulnerable place where people can actually feel it. I think that is For me, that's the role for me as an artist. I don't give a what place it come from. I could be the most angry person on the record, you going to feel that that day if you woke up and you felt that. You You want to smile, you going to feel it cuz I'm going to make sure I'm present that particular time in the studio, in the booth, that I feel happy and I feel uh energized and I feel, you 55:27 know, if I feel frustrated, you going to feel it. And to carry that as an inspiration for people that's listening that may not have a voice that, you know, I've I've grew up with cats still to this day can't have a conversation. The most meanest, you know, uh uh aggressive individuals, but they can't even look you in the eye and express themselves the way they want to. So, they resort to other things. And when I think about that and I know that I have the tools necessary to communicate myself properly and effectively, I got to do it for them. I got to make records like Reincarnated. I got to make records like Man in the Garden. I I I have to because they feel that way, but they cannot project it. And when they hear somebody actually giving them them affirmations, it allows them to speak more freely and be open because again, I come from the same place they come from. Well, Kendrick, um we might not see you outside again soon after Super Bowl. I 56:28 know of course you have the GNX tour. Listen, I know you also don't love doing interviews, but we are grateful. We're so grateful for all the music and the moments that you've given us over 15 years and in the last year, um your presence and your focus, it is noted. So, thank you. We really appreciate it. Thanks for taking our time. you for fighting for hip-hop, man. Oh, for sure. Thank you for fighting for hip-hop. For sure. It is It is really appreciated. And now We We do have some We have some kids who are going We got I got one more thing for you, Kendrick, before we go to uh our friend here, Hayes Adler. What is What should What should people expect to see and understand about Sunday's performance? Um storytelling. I think I've always been uh very uh open about storytelling through through all my catalog and my history of music. And I've always had a passion about bringing that on whatever stage I'm on, you know, whether it's war tour or 57:29 whether it's a 500 people at Key Club, I've always had a form of that. So, I I like to always carry on that sense of, you know, make people listen, but also see and and think a little. I think this is going to be one of those performances where people are going to be digging up Easter eggs for I mean, that's the Kendrick thing, you know? Even when it's not an Easter egg, people going to make one up, right, Kendrick? Hayes, uh this is Hayes Adler. He's got a question for you, Kendrick. Hi, Kendrick. What's going on? How do you prepare prepare for such a big performance? Do you have a favorite way to stay healthy and active? Yeah. Uh I do some laps, whether it's some sprints. If we we talking about Let's go from, okay, on the physical level. I give you that. Um maybe it's a 2-mile warm-up or mile warm-up, maybe some push-ups. Just to get the body moving. Sometimes you be out on that stage, man, it take a you you need some some some some oil on 58:30 your knees a little bit to get them moving and get cranky. So, uh physically, um yeah, I'm I'm I'm just exercising the body, a little bit of stretching, a little bit of all that. And um on a mental level, I'm usually playing some Isley Brothers just to calm my not my nerves, but calm my excitement and just give it a a balance, you know? So, that's that's my prep right before I go out. Thank you, Hayes. Thank you so much. And now, Alvin Williams. All right. How you doing, sir? What's up, Kendrick? What's up, man? I'm I'm a little with um Big Brother and Big Sister New Orleans. What has mentorship meant to you during the course of your career? And if you could thank your mentors for believing in you, what would you say? Oh, man, mentorship has been been everything. Um to to to be around individuals that experienced every little thing that, you know, you think that you're the first person to go through through it where it's it's it's a difficult task when you're a 59:31 young individual because you like you don't know what you're talking about. But as you progress and you be like damn, he or she was right. You begin to understand life a little bit better and not be so judgmental to people that been here before you, right? Um The greatest thing I would say mentors A couple mentors I given me was like affirmation to always give myself space to believe in who I am even when I wasn't feeling it, right? You can you can accomplish so many small things or big things that you still can fall in the slump where you doubt yourself. And even though these mentors haven't seen the spaces and been in the places I've been in, it was always time to allow me to share exactly who I am or how they see me and what I'm capable to give to the world and I think that goes a long way, you know, from people in the highest places and the lowest places. We all need them. All right. Thank you. Thank you. Thanks, 1:00:31 Alvin. And we have one more question from young Dylan. What's up, Mr. Kendrick? Oh, there you go. That's that's that's an artist right there. Yes, sir. It's it's a truly a honor to meet you. And my question I have for you is what advice could you give to kids about not being like anyone else and how could they stay authentic while pursuing your path? It's a great question. Um They say the number one thing people feel in the room, you know, over love and over fears authentic, being authentic. And this is this something my homegirl Ink actually we was talking about this in the studio. She brought this to the studio and I was like, damn. How many times I've been in the room where people felt you so intensely that it inspired them and it inspired the person next to them and inspired the people in their household. Um so how to stay authentic? Was that the 1:01:32 question or You have to believe in yourself and have to know that it's only one you. You an amazing individual, unique, you a miracle. I wake up every day and I'm like, this is crazy. Not crazy from a standpoint of uh being a celebrity, crazy just life. It's just wild when you really sit down and just think about it and just bug out on some wild It's wild and to know that you woke in this existence and in this world as one individual is only you, you have to know that you got to carry that authentic nature of allowing yourself to say this is who I am. This is how how people going to see me and also going to respect me and it's going to inspire people to have truth because when everyone's authentic, what comes out of that is true love. It's it's no boundaries. We don't have any courtship on judgment. We don't have any perception of uh being able to ridicule anyone because 1:02:36 you showing up as your true self, I'm showing up as my true self and carrying that nature will take you places. Appreciate you. Answers are just as thoughtful as in the music. It's ridiculous. Thank you, Dylan. Thank you, Kendrick. Appreciate you. Uh ladies and gentlemen, um one more time for the great Kendrick Lamar, please. Thank you so much for your work and your dedication. Thank you. Appreciate you. And have fun on Sunday. Um thank you so much to everyone for joining us today. We can't wait to see Kendrick take the Super Bowl halftime show stage. Um while you wait, you can listen to his catalog in spatial audio. Now look, shortly after the performance, you'll be able to stream the full halftime show right there on Apple Music. You can listen, you can watch, you can sing, all the things Kendrick all the time on Apple Music. So one more time for all of you, Kendrick Lamar, thank you for delivering as usual. The show on Sunday 1:03:36 is going to be special and amazing. I'm positive. Thank you all so much.